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Is AI Taking Over Audio — Radio, Podcasting, Audiobooks?

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Is AI Taking Over Audio — Radio, Podcasting, Audiobooks?
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Artificial Intelligence (AI) has already seeped into our society, culture, economy, and daily routines. AI decides who gets their health claim paid. AI help millions with their administrative work at their jobs. AI answers our phone calls when we have a customer service problem. Millions of students try to use AI to ease the burden of learning, or to cheat.

It was inevitable that AI would infiltrate the audio industry. In this article, we will appraise where AI has already affected the audio industry – audiobooks, radio, and podcasting. We will also assess how the consumer evaluates AI in the audio industry.

Let’s start with audiobooks. Last week, Spoken, the AI Audiobook Company™, released an intersting, “independent” research study conducted by Edison Research at SSRS showing that Spoken’s multi-cast narration outperforms conventional human narration in engagement, favorability, and perceived quality. The study focused on character-driven fiction – the most prevalent category in today’s audiobook market – marking a pivotal moment for the use of AI in the publishing industry.

The study randomized over 1,000 adult U.S. fiction audiobook listeners into two blinded cohorts, each experiencing samples of a new sci-fi thriller as either a professional, single-narrator human production, or an unedited, one-click Spoken Multi-Cast™ narration. As industry stakeholders increasingly explore AI narration to meet the surging demand for immersive storytelling, this research offers the first large-scale look at how consumers respond to AI technology integrating distinct voices for each speaking character, a format historically reserved for full-cast human productions.

“Up to now, we’d only measured consumers’ opinions on the concept of AI narration,” said Megan Lazovick, vice president of Edison Research. “For the first time, we were able to measure real-time reactions to excerpts from an actual audiobook. Would there be a difference in acceptance between AI narration and human? What about listeners’ willingness to listen or purchase? Could they distinguish the AI version from human? What we found was a clear signal that quality matters, no matter how the narration is produced, and listeners are open to whatever improves their experience.”

Spoken CEO Phil Marshall added that this data confirms what he’s believed since founding Spoken: “As an audio-only reader myself, getting lost in the story is what matters most. At the end of the day, what readers want will drive decisions in the industry. High-quality, multi-cast narration is what readers want, and a less expensive, one-click solution is what authors and publishers want. With Spoken’s unique, patent-pending approach to layering multi-character scenes, we are able to deliver on that promise with an immersive audiobook experience that readers will pay for.”

Podcast consultant George Witt casts a skeptical eye on the study. “Of course, It is somewhat suspect that the study, while not conducted by an AI audiobook company, validates the business model of the company that funded the study. Didn’t tobacco companies use this tactic in the 60s to convince people that smoking was not dangerous to their health?”

  • According to the study, while only 31% of listeners said they’d be likely to listen to an AI audiobook at the start of the survey, after hearing an excerpt, 65% – more than double – said they’d be likely to listen to an audiobook narrated using Spoken Multi-CastTM.
  • They can’t tell the difference: 61% of those who heard the Spoken version thought it was human, while 65% thought the human was human.
  • The study also concluded that quality and immersiveness are more important than cost and celebrity: The top factors increasing likelihood of listening to AI-narrated audiobooks were improved quality, greater immersion, and using multiple character voices, not hearing a celebrity voice.

These findings arrive at an important time for the audiobook industry. According to Grand View Research, the global audiobook market has experienced double-digit growth for many years and is projected to surpass $35 billion by 2030.

The Survey Methodology was as such: More than 1,000 U.S. fiction audiobook listeners were randomly assigned audiobook excerpts using human narration or Spoken Multi-CastTM AI narration and were asked a series of follow-up questions. The data was weighted to match the demographics of audiobook consumers as established by The Infinite Dial 2026 by Edison Research at SSRS and SiriusXM Media. Each treatment group was also weighted to match each other by age, gender, ethnicity, and interest in Sci-Fi/Fantasy audiobooks.

“Narrators don’t just read words; they sense and express the feelings beneath the words. AI can never do this job because it requires decades of experience in being a human being,” counters Audiobook narrator April Doty in The Guardian.

Adam Verner in The Literary Hub notes that, “When a book is narrated aloud, a double art form is achieved, the book is interpreted by the narrator, who acts as a lens for the listener. Just as there are many productions of Ibsen’s A Doll House, and each is unique to the actors and theatre performing it, every recitation of a book is a singular performance.”

Is your favorite radio DJ a human?

Artifical intelligence has infiltrated terrestrial radio. Artificial intelligence is actively used on radio stations to serve as DJs, host unmanned shifts, and automate broadcasting tasks. According to Live365, tools like RadioGPT combine synthetic voices, scriptwriting, and music selection to create entirely new, AI-hosted shows based on trending local topics. Radio Stations are using AI to fill overnight shifts, weekends, or timeslots that would otherwise feature pretaped, voice-tracked, or unhosted music, allowing for real-time local updates without human staffing.

More disturbing, however, is voice cloning capability, which means companies can clone a human host’s voice to create an AI double when they’re not available in-person. For example, Portland’s Live 95.5 famously debuted “AI Ashley”: a cloned voice of a human host in 2023. While it’s great that Ashley’s voice can stay on-air while she’s traveling or asleep, it does mean an up-and-coming human host willing to fill in for her just lost a potential job.

There has been pushback, even from large corporations. For example, iHeartMedia – which operates hundreds of stations nationwide — implemented a “Guaranteed Human” program, requiring human hosts to identify themselves on-air to ensure authentic human connection in response to listener preferences.

The future holds more opportunities for AI to infiltrate radio stations. Futuri Media’s Radio GPT is an AI tool that combines different technologies to “host” a radio show. Basically, it combines the aforementioned synthetic voice, DJ’ing, and scriptwriting capabilities of AI to create entirely new radio shows on a station.

Radio GPT uses GPT-4 technology to create scripts and digital content based on what’s trending in a local market. Even more – it can produce content for the station’s website and social media channels in real time.

Stations can select from a variety of synthetic AI voices for single-, duo-, or trio-hosted shows, or train the AI with their existing personalities’ voices. Programming is available for individual dayparts, or RadioGPT can power the entire station itself.

Is your podcast host a human or a synthetic?

Podnews recently asked: “Is podcasting being flooded with AI slop?” For new shows, it seems that normal, human-made podcasts are now in the minority, according to the Podcast Index. Visible on the Podcast Index’s New Feeds Report, at the time of writing it shows only 44.6% of new shows in the last 24 hours were “likely legitimate”, with 45.7% potentially produced by AI.

AI: the Devil or an angel?

High Notes is a podcast featuring conversations on the art and business of voice, hosted by voice actor and BRAVA CEO, Melissa Thom. From Mongolian throat singing to vocal health, accents, gaming, and more, High Notes uncovers the craft behind the business.

Season four of High Notes is in production right now, and Melissa tells us: “We’re focusing a lot of our attention on how AI is affecting our industry.”

Imran Ahmed (AKA Captain Ron) of Great Pods says of AI: “Blind trust is one of the real dangers in podcasting, and it shows up at every seat AI fills, your researcher, your editor, your analytics, your publisher. I’m not an engineer, but I know enough to product manage each of those seats. You don’t need to be an expert in the tool, you need enough oversight to catch it when something’s off. The moment you stop checking, that’s on you, not the AI, and we humans can tell.”

It’s clear that in podcasting, listeners highly value transparency. When a host consistently delivers genuine, relatable content, listeners build a strong connection that translates directly to credibility. Multiple studies reveal that host-read ad endorsements perform exceptionally well because they sound like personal recommendations from a friend rather than traditional commercials.

In podcasting, as well as audiobooks and radio, the AI genie is out of the bottle. There is no way to force it back into the bottle. Yet, as the genie in Aladdin warns, “Be careful what you wish for.”

Forbes12 Quotes About AI—And How It Makes Us Better

As a comparable, let’s look at the smartphone. In multiple ways, that tech has made our lives appreciably better, easier, and, at times, more rewarding. However, it has also engendered social isolationism, “phone head,” disruptions in our closest relationships, and the rampant dissemination of extremist philosophies.

Sebastian Thrun, known as Father of the Modern Self-Driving Car, forecast AI this way: “The true power of AI lies not in replacing humans, but in working alongside us to achieve what neither can do alone.”

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